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Bayreuth Circle : ウィキペディア英語版 | Bayreuth Circle ''Der Bayreuther Kreis'' (German: ''The Bayreuth Circle'') was a name originally applied by some writers to devotees of Richard Wagner's music who attended and supported the annual Bayreuth Festival in the later 19th and early twentieth centuries. As some of these devotees espoused nationalistic German politics, and some of them were supporters of Adolf Hitler from the 1920s onwards, this group of people has been associated by some writers with the rise of Nazism.〔e.g. Saul Friedlaender,''Ideology and Extermination:the Immediate origins of the "Final Solution" '', in ''Catastrophe and Meaning: The Holocaust and the Twentieth Century'', ed. M. Postone and Eric Santner, University of Chicago Press, 2003, pp. 19-20〕 ==The original Bayreuth Circle== The term 'Bayreuth Circle' was originally applied to the enthusiasts of Wagner's music who were also associated with or subscribed to the publication ''Bayreuther Blätter'', established in the 1880s by Wagner himself and edited by Hans von Wolzogen. This journal, apart from containing snippets by Wagner himself on social, political and aesthetic matters, was also strongly nationalistic and anti-Semitic. Its circulation was small and it was not politically influential.〔see Schüler, (1971) and Altgeld (1984)〕 After the death of Wagner in 1883, his second wife Cosima in continuing to propagate what she saw as her husband's views, was supported by a number of active anti-Semites, including Houston Stewart Chamberlain and Ludwig Schemann. Schemann, the founder of the German Gobineau Society, 'did a great deal to bring Gobineau's term 'Aryan' into vogue amongst German racists'.〔Evans (2003), 33〕 Chamberlain (d. 1927), who wrote an influential anti-Semitic book, ''The Foundations of the Nineteenth Century, '' married Eva Wagner, daughter of the composer.
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